This work by one of the great commentators of the past is required reading for every student of the Bible. This book covers the entire Bible and includes all six volumes of Matthew Henry's work and is unabridged.

Henry Chase is every womans worst nightmare. Nicknamed "The Assassin" by his Wall Street brethren, hell lie, seduce, betray, manipulate--whatever it takes--to stay on top, in the boardroom and the bedroom. Theres not a speck of humanity left in his steely soul until one night when his conscience catches him by surprise and demands a reckoning. With the help of a mysterious young woman, Henry confesses to a list--a list of the lives he has ruined in the pursuit of power and riches. Prodded by his newly found alter ego, Henry embarks on a road trip of redemption--he sets out to make it right for those in his past, and maybe for himself in the future. For anyone who ever wondered just what makes a man tick, HENRYS LIST OF WRONGS exposes the inner workings of the male mind, its carefully hidden motivations, desires, and fears. A story with humor, romance, and sting, it might even make you confront your own list of regrets.

This anthology explores the resilience and ubiquity of the Gothic in cinema from its earliest days to its most contemporary iterations.

The Quarto text of Henry V is of unique importance. It is the first and probably the only text of a Shakespeare play which provides the playscript corresponding to the version that was actually performed by Shakespeare's own company. It has the authority of being transcribed by actors in the company as a record of their original staging at the Globe in 1599. The quarto version differs radically from the First Folio text which is used as the source for all other editions. Half as long as the Folio, it represents a practical staging text that streamlined the script supplied by Shakespeare. This edition of the Henry V quarto provides a modernized text alongside the extensive commentary. Andrew Gurr examines each variant from the Folio text in detail, shedding new light on what happened to scripts that the Shakespeare company bought from their resident playwright.

In this widely acclaimed biography, Bertram Wolffe challenges the traditional view of Henry VI as an unworldly, innocent, and saintly monarch and offers instead a finely drawn but critical portrait of an ineffectual ruler. Drawing on widespread contemporary evidence, Wolffe describes the failures of Henry's long reign from 1422 to 1471, which included the collapse of justice, the loss of the French territories, and the final disintegration of his government. He argues that the posthumous cult of Henry was promoted by Henry VII as a way of excusing his uncle's political failures while enhancing the image of the dynasty. This edition includes a new foreword by John Watts that discusses the book and its place in the evolving literature. Reviews of the earlier edition: "A brilliant biography that brings us as near as we are ever likely to come to this elusive personality."--Sunday Times (London) "A powerful, compulsively readable portrait."--Observer "Much learning, skillfully deployed as here, evokes pleasure as well as admiration."--R.L. Storey, Times Literary Supplement

This revised edition of the Arden Shakespeare Complete Works includes the full text of Double Falsehood, which was published in the Arden Third series to critical acclaim in 2010. The play is an eighteenth century rewrite of Shakespeare's "lost" play Cardenio and as such is a fascinating testament to the original. A short introduction outlines its complex textual history and the arguments for including it within the Shakespeare canon. The Complete Works contains the texts of all Shakespeare's plays, poems and sonnets, edited by leading Shakespeare scholars for the renowned Arden series. A general introduction gives the reader an overall view of how and why Shakespeare has become such an influential cultural icon, and how perceptions of his work have changed in the intervening four centuries. The introduction summarises the known facts about the dramatist's life, his reading and use of sources, and the nature of theatrical performance during his lifetime. Brief introductions to each play, written specially for this volume by the Arden General Editors, discuss the date and contemporary context of the play, its position within Shakespeare's oeuvre, and its subsequent performance history. An extensive glossary explains vocabulary which may be unfamiliar to modern readers.

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

“An invaluable resource on the making of Eraserhead, Godwin’s book includes interviews with the cast and crew conducted when memories were still fresh.” - David Lynch & Kristine McKenna, Room to Dream As a young artist working with minimal resources, aided by a dedicated cast and crew, David Lynch spent four-and-a-half years making his first feature. The result was a completely unique, darkly comic nightmare called Eraserhead. Carefully nurtured by distributor Libra Films, Eraserhead gradually developed a passionate audience despite a very mixed response from critics. It took four years for the film to reach Winnipeg, Canada, but when it finally did it took hold of writer Kenneth George Godwin’s imagination. Determined to understand the nature of the film’s power, Godwin wrote the first in-depth analysis of Eraserhead. That essay led to a commission to write an article forthe magazine Cinefantastique. For the first time, the secretive Lynch agreed to tell the full story of the film’s production. Gathered together in this volume are the original essay, the complete, unedited production history, and full transcripts of all the interviews Godwin conducted with Lynch himself and members of the cast and crew of Eraserhead. “Among the commentaries which Eraserhead has inspired, it is worth mentioning George Godwin’s most interesting comments ... a must for the Lynchmaniac” - Michel Chion, David Lynch “David Lynch’s first work has become a cult film, but its bizarre imagery has never before received a cogent interpretation” - Film Quarterly

To interpret the laboratory results. To distinguish the normal from the abnormal and to understand the merits and demerits of the assays under study. The book attempts to train a laboratory medicine student to achieve sound knowledge of analytical methods and quality control practices, to interpret the laboratory results, to distinguish the normal from the abnormal and to understand the merits and demerits of the assays under study.