*** CONGRATULATIONS TO THE BRITISH BOOK AWARDS AUTHOR OF THE YEAR 2022*** Lucy Sullivan's been told she is getting married . . . but to who? Discover the uplifting, laugh-out-loud story of a reluctant wrestle with fate, from the No. 1 bestselling author of Grown Ups 'Keyes is in a class of her own' DAILY EXPRESS ___________ 'I was still at that stage in my life when I thought that weekdays were for recovering from the weekend' Twenty-six year old Lucy Sullivan is living it up (and occasionally down) in London. Hers is a life of quiet, undisciplined desperation. But when she and three friends visit a psychic for a bit of fun and the woman's predictions start coming true, Lucy is horrified. For the fortune teller insisted she'd soon be married - within the year, in fact. Not only does Lucy not have a boyfriend, but the chances of getting one are looking slim. Between the bottles of wine, antidepressants and her addiction to self-help books, she's not quite ready to walk, or even stumble, down the aisle sober. Is Lucy's fate really written in the stars? Or will she finally take control of her own destiny? . . . ___________ 'One of those rare books that will swallow up your day without realising it. Romantic and uplifting, it won't fail to put a smile on your face' Daily Express 'Gloriously funny' Sunday Times 'A warm and hilarious page turner' Good Housekeeping 'A modern fairy tale, it's full of Keyes's self-deprecating wit' Sunday Mirror

*** CONGRATULATIONS TO THE BRITISH BOOK AWARDS AUTHOR OF THE YEAR 2022*** Lucy Sullivan's been told she is getting married . . . but to who? Discover the uplifting, laugh-out-loud story of a reluctant wrestle with fate, from the No. 1 bestselling author of Grown Ups 'Keyes is in a class of her own' DAILY EXPRESS ___________ 'I was still at that stage in my life when I thought that weekdays were for recovering from the weekend' Twenty-six year old Lucy Sullivan is living it up (and occasionally down) in London. Hers is a life of quiet, undisciplined desperation. But when she and three friends visit a psychic for a bit of fun and the woman's predictions start coming true, Lucy is horrified. For the fortune teller insisted she'd soon be married - within the year, in fact. Not only does Lucy not have a boyfriend, but the chances of getting one are looking slim. Between the bottles of wine, antidepressants and her addiction to self-help books, she's not quite ready to walk, or even stumble, down the aisle sober. Is Lucy's fate really written in the stars? Or will she finally take control of her own destiny? . . . ___________ 'One of those rare books that will swallow up your day without realising it. Romantic and uplifting, it won't fail to put a smile on your face' Daily Express 'Gloriously funny' Sunday Times 'A warm and hilarious page turner' Good Housekeeping 'A modern fairy tale, it's full of Keyes's self-deprecating wit' Sunday Mirror

Combines two of Marion Keyes best loved and best selling titles.

THE SUNDAY TIMES NUMBER ONE BESTSELLER FROM THE BESTSELLING AUTHOR OF GROWN UPS, MARIAN KEYES 'JUST BRILLIANT' SUNDAY TIMES ___________ 'Myself and Hugh . . . We're taking a break.' 'A city-with-fancy-food sort of break?' If only. Amy's husband Hugh says he isn't leaving her. He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months in South-East Asia. And nothing she says can stop him. But when does a break become a break-up? A lot can happen in six months. And it's enough to send Amy and her family of gossips, misfits and troublemakers teetering over the edge. When Hugh returns, if he returns, will he be the same man she married? Will Amy be the same woman? Because if Hugh is on a break from their marriage, then . . . isn't she on one too? _____________ 'Mercilessly funny' The Times 'I laughed . . . I cried' Daily Mail 'Full of darkness and light, this is Keyes at her classic and most brilliant best' Red SHORTLISTED FOR A NATIONAL BOOK AWARD

A hilarious collection of essays, perfect for fans of Caitlin Moran and Lena Dunham. A collection of hilarious, poignant and moving essays from the Number 1 Sunday Times bestselling novelist. Marian's tales of her eye-lash extension horrors, domestic Goddess attempts and the time that she decided to become a yoga instructor will have you crying with laughter.

This book constitutes the refereed proceedings of the 13th International Conference on Flexible Query Answering Systems, FQAS 2019, held in Amantea, Italy, in July 2019. The 27 full papers and 10 short papers presented were carefully reviewed and selected from 43 submissions. The papers present emerging research trends with a special focus on flexible querying and analytics for smart cities and smart societies in the age of big data. They are organized in the following topical sections: flexible database management and querying; ontologies and knowledge bases; social networks and social media; argumentation-based query answering; data mining and knowledge discovery; advanced flexible query answering methodologies and techniques; flexible query answering methods and techniques; flexible intelligent information-oriented and network-oriented approaches; big data veracity and soft computing; flexibility in tools; and systems and miscellanea.

Desire in the broadest sense, as a form of generous self-assertion should ideally increase with the passage of time as we gradually acquire deeper insight into ourselves and others. Prescriptive cultural stereotypes, however, put obstacles on our path to progress as individuation. Yet growing older should not entail renunciation of the singularity of personal fulfilment. This volume is a collection of literary testimonies to the power of art to challenge and resist the social constraints on desire in the context of aging. In the essays, men and women claim their right to age in desire and imaginative vigour.

INSTANT #1 BESTSELLER! A brand-new book from the #1 bestselling author of The Break and The Woman Who Stole My Life. They're a glamorous family, the Caseys. Johnny Casey, his two brothers Ed and Liam, their beautiful, talented wives and all their kids spend a lot of time together--birthday parties, anniversary celebrations, weekends away. And they're a happy family. Johnny's wife, Jessie--who has the most money--insists on it. Under the surface, though, conditions are murkier. While some people clash, other people like each other far too much . . . Still, everything manages to stay under control--that is, until Ed's wife, Cara, gets a concussion and can't keep her thoughts or opinions to herself. One careless remark at Johnny's birthday party, with the entire family present, and Cara starts spilling all their secrets. As everything unravels, each of the adults finds themselves wondering if it's--finally--the time to grow up.

Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present. Examining key trends in popular writing for women in each decade, Women's Fiction offers case study readings of major British and American writers. Through these readings, the book explores how popular texts often neglected by feminist literary criticism have charted the shifting demands, aspirations and expectations of women in the 20th and 21st centuries.

Anna Walsh needs her old life back: her home, her glamorous career and above all the love of her life, her husband Aidan. But can things ever return to the way they were? Anna Walsh is covered in bandages and lying in her parents' Good Front Room. She's dreaming of leaving Dublin and returning to New York. To her home. To her job. And most of all to her husband Aidan. Unfortunately, her family have other ideas. She's staying put. And Aidan? Well he's refusing to even take her calls. What has pushed Anna so far from everything that she loves? Is she the only one who can put it all right? And if not, who is? 'Keyes writes brilliantly, as always, about love, grief, jealously and friendship' Daily Mail 'A wonderful, subtle, hilarious and highly sophisticated novel' Evening Standard 'High quality entertainment' Marie Claire

INSTANT #1 BESTSELLER! A brand-new book from the #1 bestselling author of The Break and The Woman Who Stole My Life. They're a glamorous family, the Caseys. Johnny Casey, his two brothers Ed and Liam, their beautiful, talented wives and all their kids spend a lot of time together--birthday parties, anniversary celebrations, weekends away. And they're a happy family. Johnny's wife, Jessie--who has the most money--insists on it. Under the surface, though, conditions are murkier. While some people clash, other people like each other far too much . . . Still, everything manages to stay under control--that is, until Ed's wife, Cara, gets a concussion and can't keep her thoughts or opinions to herself. One careless remark at Johnny's birthday party, with the entire family present, and Cara starts spilling all their secrets. As everything unravels, each of the adults finds themselves wondering if it's--finally--the time to grow up.

Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.

Under the Duvet is a laugh-out-loud collection of brilliant observations on everyday life from the bestselling author Marian Keyes 'I write alone, in a darkened bedroom, wearing my PJs, eating bananas, my laptop on a pillow in front of me . . .' Under the Duvet is Marian Keyes' first collection of brilliant, whipsmart journalism. Bursting with her hilarious observations on subjects as varied as in-laws, gyms, gardening and parties; her love affair with shoes and her week spent as a magazine dogsbody; the horrors of estates agents and friendly loonies on the bus; and what she gets up to on her holidays when she's not supposed to be writing; it's the perfect bed-time companion. 'A poet of the everyday . . . noticing everything about everything, rendering situations instantly recognizable and funny' Wendy Holden, Daily Mail 'Her honesty and humour can have you laughing out loud' Heat 'Anyone who has pored over Marian Keyes's bestsellers will leap at the chance to discover another side to this much-loved author' Hello!

Mammy Walsh's A-Z of the Walshes is a laugh-out-loud ebook-only short guide to everyone's favourite dysfunctional Irish family. It does exactly what it says on the tin but here's a brief word from its author, Mammy Walsh herself: 'There's this woman I know from bridge, Mona Hopkins, a lovely woman she is, even if I must admit I'm not that keen on her myself, and she said a great thing the other day. I was expecting her to say "Two no trumps," but instead she comes out with a saying about her children. She says, "Boys wreck your house and girls wreck your head." Isn't that a marvellous bit of wisdom - "Boys wreck your house and girls wreck your head!" And God knows it's the truest thing I've heard in a long time. I should know. I have five girls. Five daughters. And let me tell you, my head is wrecked from them. Although, now that I think of it, so is my house . . .' It's the perfect re-introduction to the Walsh family, featured in Marian's bestselling novels about the Walsh sisters, Watermelon, Rachel's Holiday, Angels, Anybody Out There and The Mystery of Mercy Close . Praise for Marian Keyes: 'When it comes to writing page-turners that put a smile on your face and make you think, Keyes is in a class of her own' Daily Express 'Zips along with engaging characters, fabulous plotting and spot-on dialogue. Marian Keyes: what a genius' Daily Mail

Narrative Psychiatry and Family Collaborations is about helping families with complex psychiatric problems by seeing and meeting the families and the family members, as the best versions of themselves, before we see and address the diagnoses. This book draws on ten years of clinical research and contains stories about helping people, who are heavily burdened with psychiatric illnesses, to find ways to live a life as close as possible to their dreams. The chapters are organized according to ideas, values, and techniques. The book describes family-oriented practices, narrative collaborative practices, narrative psychiatric practices, and narrative agency practices. It also talks about wonderfulness interviewing, mattering practices, public note taking on paper charts, therapeutic letter writing, diagnoses as externalized problems, narrative medicine, and family community meetings. Each chapter includes case studies that illustrate the theory, ethics, and practice, told by Nina Jørring in collaboration with the families and colleagues. The book will be of interest to child and adolescent psychiatrists and all other mental health professionals working with children and families.

Questions of identity and identification are among the most important evolving concerns of contemporary cultural studies. Through processes of personal identification with discursively constructed subject positions, identities emerge across a wide range of cultural practices in the course of social interactions involving the use of language and other semiotic systems manifested in cultural artefacts of various kinds. The present collection includes a selection of papers on the topic of identity and identification in cultural studies today. Incorporating theoretical contributions and practical case studies, this monograph adds to contemporary debates on identity-forging practices from various theoretical positions in different social, historic and national contexts. The chapters of this volume range from overtly theoretical discussions on the construction of identities and subjectivities in post-modernity, to examinations of the crucial role of (print) media in identity-construction and -representation processes in contemporary social formations through an insight into other key issues in cultural studies, such as gender politics and the construction of femininities, the hybridization of identities in the context of postcolonial work, and the interplay between collective identities and discourses on nation.