"Tell the story to its end," says Eren with a grin. His yellow eyes are glowing like embers in the night. "When I reach the end," I say, "what happens? You'll have the whole story." "Hmm," he says, looking at me and licking his lips with a dry, grey tongue. "What happens then? Why don't we find out?" People are keeping secrets from Oli. His mum has brought him to stay with his aunt and uncle in the countryside, but nobody will tell him why his dad isn't there, too. Why hasn't he come with them? Has something happened? Why won't anyone talk about it? Oli has a hundred questions, and only an old, empty house in the middle of an ancient forest for answers. But then he finds a secret of his own: there is a creature that lives in the attic... Eren is not human. Eren is hungry for stories. Eren has been waiting for him. With Eren to listen, Oli starts to make sense of what's happening. But Eren is powerful, and though he's willing to help Oli, he's not willing to do it for free; he wants something in return. Oli must make a choice: he can learn the truth -- but to do so he must abandon himself to Eren's world, forever. From striking new voice Simon P. Clark comes Tell the Story to Its End; richly atmospheric, moving, unsettling, and told in gorgeous prose, it is a modern classic in the making. ----- “Sure-footed, distinctive, strange, poetic. Simon P. Clark is a truly interesting new voice.”—David Almond, award-winning author of Skellig “Unflinchingly dark and unforgettably creepy, Tell the Story to Its End will have you in its grip.”—Anne Ursu, award-winning author of The Real Boy and The Shadow Thieves “Offering a spiral of stories within stories, this atmospheric first novel features a boy searching for truth, who gets sidetracked by a remarkable discovery. Echoing the surreal quality and settings of David Almond’s books, this novel adeptly mixes fantasy with reality and leaves some pressing questions unanswered.” —Publishers Weekly “Debut British-American author Clark creates a tale with mythic largesse...The book explores the relationship between truth and fiction, the essence of story, and the urgency of putting dreams and experiences into words ‘to fire imaginations and break worlds.’ Savvy readers and would-be writers will love this exploration of story as an art form, a panacea, and an endless part of life.” —Kirkus Reviews “The magical realism and storytelling details will draw fantasy readers, who will find meaty substance and enough Britishisms to lend flavor. While the conclusion is entirely logical, it’s unexpected and will spark discussion, challenging readers to reflect on the nature of both stories and reality.” —Booklist “Eren has echoes of A Monster Calls by Patrick Ness or Skellig by David Almond. It’s dark, poetic and feels as ancient as stories themselves.”—Readings.com “This is skillful storytelling; the kind that feels destined to become a classic.”—Katelliswrites.com “Incredibly dark and delicious.”—Diva Book Nerd “One of those books that you really have to read...The story was so beautifully written that it throws you into the borders of reality and fantasy.”—Sporadic Reads

Move over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time. Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X factor that distinguishes the excellent director from the merely good one. Covering everything from prep, the shoot, and post, the authors emphasize how aspiring directors can develop a creative vision-because without it, they are just technicians. Hands-on and practical, this book lets you not only read about the secrets of directors, it also includes exercises using original scripted material. The companion web site includes scenes from the authors' own TV shows, along with the scripts, shot lists, and other materials that made the scenes possible. Key Features * Highly experienced Hollywood directors share inside information about what it really takes to be a director, giving the advice that readers covet. * Covers everything a director needs to know: the creative vision, how to translate script into a visual story, establishing the look and feel, selecting and leading a crew, coaching actors, keeping a complex operation on time and on budget, overseeing the edit, and troubleshooting through the whole shoot. * "Insider Info sections feature interviews, advice, and tips from film and TV luminaries whose productions include Private Practice, Monk, Brothers & Sisters, Desperate Housewives, The Informant, American Beauty, and more! * Hands-on exercises help you understand and master the craft of directing.

Those of us hearing a "Well Told Story" may become more aware of the Implications of that story than by a mere recital of facts. The use of the "Story Form" of relating an event may be the best method of capturing the signifi cance of the actual event. In the understanding and presentation of the Christian faith, "Story" is considered as a "fundamental category of reality." It is the perfect vehicle for presenting the Good News of the Gospel." (John Paul Roth) The presentation of real events in story form preserves the remembrance of reality without limiting its implications to the mere recording of historical facts. The Gospel story carries us beyond the realm of human understanding into the higher realm of faith. The power of story assists us in bridging the gap between the inexplicable in the Gospel Story and the human experience, This holds true with the stories which accompany and support the underlying " Story of God in Jesus Christ." True stories, as is the Gospel Story, will take precedence over stories told only for entertainment or to serve a specifi c agenda, Yet even the stories of integrity and truth need to be told well and with skill. This is discussed in detail herein. As Theologians we must tell the Story with truth and understanding; as Evangelists with persuasiveness and tolerance, and as Preachers, or Witnesses, we must share the Story often, convincingly and with Love. "Loving God, loving each other and the Story never ends

Too many books tell you what you need to do during a round of editing...but they very rarely explain why that need exists. Without explanation and examples to help your understanding, craft basics can feel restrictive and unbearable. You might have already begun writing something you’ve had a great idea for. But a great story requires more than the gift of inspiration. Tell Me A Story takes you through the first steps of what you need to know to write well, and how to improve your editing technique. This book lets you learn with Hows and Whys, through writing examples from real novices. This will allow you to jump into storytelling with solid practices for getting your ideas from your mind to the page. Praise for E.J. Runyon "E.J. has done much more than prove to me that writing is a mosaic skill, worthy of a myriad of effort, but also that it is a sharp-bladed pillow from which we all draw a precise dream." - V. Pittsenbargar “E.J’s done exactly what I wanted and been searching for. Help about storytelling and the English language. Not just as in punctuation and grammar, but about the craft. I wanted to get my readers more engaged in my story. In swoops E.J. to save the day.” - D. Chapman “I'm glad I found E.J., she's a wonderful coach. It's like being a kid getting on a bike for the first time, and realizing what the pedals do. The revisions I'm doing now are helping me tell the story that I want to tell.” - C. Murphy

NEW YORK TIMES BESTSELLER - The definitive guide to telling an unforgettable story in any setting, drawing on twenty-five years of experience from the storytelling experts at The Moth You are a multitude of stories. Every joy and heartbreak, every disappointment and dizzying high, has the makings of an unforgettable story. Whether your goal is to deliver the perfect wedding toast, give a moving eulogy, ace a job interview or simply connect more deeply to those around you, The Moth is here to help. A leader in the modern storytelling movement, The Moth inspires thousands of people around the globe to share their stories each year. In this book, the Moth team reveal the secrets of their time-honed process and use examples from beloved storytellers like Neil Gaiman, Elizabeth Gilbert, Nikesh Shukla, Sarfraz Manzoor and more, to show you how to: * mine your memories for your best stories * explore structures that will boost the impact of your story * deliver your stories with confidence * tailor your stories for any occasion Filled with empowering, easy-to-follow tips, this book will help you to unleash the power of storytelling on your life.

After Ransom awakens in a hazy room with his hands and legs bound, he knows the voodoo witch he just met in New Orleans is now in control of his life. As he loudly proclaims he is ready to be her voodoo man, Patricia warns him to be careful what he wishes for. Moments later, the life is drained from his soul and Patricia has created her first zombie. In a collection of terrifying tales, Charles Keith Hardman once again invites others to step inside the minds of a diverse band of characters facing bizarre encounters. Lawrence knows he should be dead. The stainless steel table he lies on in the morgue is cold. All he remembers is shooting a bullet into his head. As he removes his toe tag and searches for clothes to wear, Lawrence realizes something strange is happening to him. But what will transpire once he opens the door to the morgue? After an alien spaceship crash lands in the New Mexico desert, weapons experts race to the site where they discover an alien has died. After rushing the corpse to a laboratory, the scientists take DNA samples. But what they do next is top secret. Let Me Tell You Another Story shares short tales that lead others down a frightening path lined with aliens, zombies, voodoo, and things that go bump in the night.

In response to a world awash in sexual chaos and gender confusion, this book offers a bold and thoroughly biblical look at the meaning of the body, sex, gender, and marriage. Bestselling author, cultural commentator, and popular theologian Christopher West is one of the world's most recognized teachers of John Paul II's Theology of the Body. He specializes in making this teaching accessible to all Christians, with particular attention to evangelicals. As West explains, from beginning to end the Bible tells a story of marriage. It begins with the marriage of man and woman in an earthly paradise and ends with the marriage of Christ and the church in an eternal paradise. In our post-sexual-revolution world, we need to remember that our bodies tell a divine story and proclaim the gospel itself. As male and female and in the call to become "one flesh," our bodies reveal a "great mystery" that mirrors Christ's love for the church (Eph. 5:31-32). This book provides a redemptive rather than repressive approach to sexual purity, explores the true meaning of sex and marriage, and offers a compelling vision of what it means to be created male and female. Foreword by Eric Metaxas.

PTU is an underappreciated noir masterpiece by one of Hong Kong's most prolific and commercially successful directors. Johnnie To Kei-fung has been called "the poet of post-1997 and the economic savior of the Hong Kong film industry" for an extraordinary range of films produced during some of Hong Kong cinema's most difficult years. While many of To's celebrated films such as Election, Exiled and The Mission feature themes of criminal glory and revenge, PTU centers on the ethical dilemmas, personal dramas and stoic teamwork in the elite Police Tactical Unit. The story follows the PTU's all-night search for an officer's missing gun as they navigate triad turf struggles and marauding jewel thieves from mainland China. Shot over several years in the hauntingly empty pre-dawn streets of Tsim Sha Tsui, and released coincidentally amid the 2003 SARS panic, the film evokes Hong Kong's post-handover economic despair and multiple identity crises. In terms of character development and psychological complexity, Mike Ingham argues that PTU is the most aesthetically rigorous and satisfying of To's many films.

Members of The Church of Jesus Christ of Latter-day Saints tend to see the Book of Mormon through the lens of personal use, as a single textual and scriptural monolith—the Book of Mormon. That is somewhat natural, since we tend to have at hand and in-use, only the copy or version in our language needed to study it for inspiration. In the process, the point tends to get overlooked that while we may accept the text as inspired, the physical embodiment of that text—the Book of Mormon—is a mortal reality. The Book of Mormon, while it has a “spirit,” also has a mortal “body” (or rather, bodies) existing in space and time. As such, it has a history—and because it comes to us in the form of a book, it also has a book history. This study is divided into three parts. The first part is a straightforward history of the edition’s editing, production, and manufacturing processes. It examines key points in the reprint history of the book, following important factors in the subsequent impressions of the work across nearly thirty years of re-impressions, corrections, transfers, and one new format. The narrative crowded into chapters one through four together leave Part II to catalogue the bibliographic minutia that is the beating heart of analytic book history and which provides entertainment for true-blooded bibliophiles. The details contained in the production and manufacturing contracts and coupled to the typographical evidence explained in Part III, together resolve once and for all the question of what constitutes the 1920 edition and what does not.

Describes Dan Bar-On's method of using storytelling as both a qualitative biographical research method and as an intervention, to bring people from opposite sides of an abyss to a dialogue. Such work needs slow pace and long-term commitment, with a special combination of a scientific rigorous analysis with a sensitive approach toward the people one approaches.

In this study by an expert on learning and computers, the author argues that artificial intelligence must be based on real human intelligence.

This book attempts to harness the power of stories to help students grow and develop as writers. It argues that stories and narratives can be utilized in the composition classroom, specifically first-year composition (FYC) to break down barriers. Stories and narratives can help students overcome academic, personal, and creative barriers.

Each year, the Christmas double issue of the Church Times offers a feast of seasonal reading. News of Great Joy draws together the best Christmas writing by outstanding authors and poets over twenty years to create an ideal Christmas gift and a wealth of material for all who preach or lead worship at Christmas. Its many highlights include: • the eminent biblical scholar John Barton on how to understand the Old Testament prophecies of the nativity; • Barbara Brown Taylor on the prologue of John’s Gospel which is always read on Christmas Day; • Margaret Barker on the legends that have become part of the Christmas story; • an unpublished short story by Evelyn Underhill; • a piece on the origins of the Nine Lessons and Carols; • poetry and reflections on the season’s lectionary readings, and more besides.

People love to share good stories -- but above all, they remember them Jesus knew this, so the master storyteller's most powerful sermons -- the parables -- were earthly stories that used everyday imagery to communicate heavenly meaning. In this volume, Sheffield helps you tell the story by expanding on 14 of Jesus' parables appearing in Cycle A and bringing them into a more modern setting. The parables of Jesus as familiar, predictable Sunday school stories? Not when Richard Sheffield is doing the preaching and teaching -- Ginny Thornburgh (Board of Trustees, Princeton Theological Seminary)

A new edition of one of the market leading texts for those interested in critical theory and its effect on our reading of the English literary canon. Renowned for its accessible, witty style, the new edition is updated throughout and contains four new chapters to reflect the continuing development of the subject. * The key elements of this book that make it so popular are its clear, highly accessible articulation of ideas, the wide range of texts used as illustrative examples, and its witty, humourous style. * Number 1 textbook on our Literature list. * Literary Theory & Criticism is the only major, core course in English departments - every Literature student will study it. * A new chapter on Creative Writing - currently the biggest 'growth area' in the Humanities in the UK.