A collection of T.S. Eliot’s most important poems, including “The Waste Land” and “The Love Song of J. Alfred Prufrock.” T. S. Eliot is one of the most important and influential poets of the twentieth century. His unique and innovative evocations of the folly and poetry of humanity helped reshape modern literature, with poems such as “The Love Song of J. Alfred Prufrock,” included here, and most notable, the title poem, “The Waste Land,” his groundbreaking masterpiece of postwar decay and redemption. Since its publication in 1922, “The Waste Land” has become one of the most widely studied modernist texts in English literature. Gathering together many of Eliot's major early poems, distinguished Harvard scholar and literary critic Helen Vendler presents an invaluable portrait of T. S. Eliot as a young poet and examines the artistry and craft that made him a Nobel laureate and one of the most significant voices in modern verse.

One of T.S. Eliot’s earliest, and most significant works. A great achievement of modernist literature, The Love Song of J. Alfred Prufrock takes the form of the complex musings of the titular Prufrock as he considers life and his role in it. The poem draws heavily on allusion to classical works, including Dante’s Divine Comedy and Shakespeare’s Hamlet. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

This superb collection of 26 works features the poet's masterpiece, "The Waste Land"; the complete Prufrock and Other Observations ("The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Preludes," "Rhapsody on a Windy Night," "Mr. Apollinax," "Morning at the Window," and others); “The Hollow Men”; and the collection Poems ("Gerontion," "The Hippopotamus," "Sweeney Among the Nightingales," and more).

Contents: Part 1: Before The Waste Land. Part 2:' The Lovesong of J. Alfred Prufrock'. Part 3: The Waste Land - including The Role of Ezra Pound; The Dramatic Consciousness; The Mythic Consciousness; The Epigraph. Part 4: A Commentary on The Waste Land. Part 5: Bibliography. Part 6: Hyperlinked texts - a valuable compendium of the key works Eliot quotes or alludes to in The Waste Land

This volume brings together the full contents of Prufrock and Other Observations (1917), Poems (1920), and The Waste Land (1922), together with an informative introduction and a selection of background materials. Included as well are two of Eliot’s most influential essays, “Tradition and the Individual Talent” (1919) and “The Metaphysical Poets” (1921). As with other volumes in this series, the material appearing here is for the most part drawn from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include a wide range of contextual materials pertaining to Modernism; writings by Ezra Pound, H.D., and Mina Loy; reviews of The Waste Land; art by Wyndham Lewis; and excerpts from essays by Virginia Woolf and others.

A superb collection of 25 works features the poet's masterpiece, "The Waste Land"; the complete Prufrock ("The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Rhapsody on a Windy Night," "Mr. Apollinax," "Morning at the Window," and others); and the complete Poems ("Gerontion," "The Hippopotamus," "Sweeney Among the Nightingales," and more). Includes a selection from the Common Core State Standards Initiative.

Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliot’s love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. Dante’s work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.

"The Love Song of J. Alfred Prufrock", commonly known as "Prufrock", is the first professionally published poem by American-born British poet T. S. Eliot (1888–1965). Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound (1885–1972). It was later printed as part of a twelve-poem pamphlet (or chapbook) titled Prufrock and Other Observations in 1917. At the time of its publication, Prufrock was considered outlandish, but is now seen as heralding a paradigmatic cultural shift from late 19th-century Romantic verse and Georgian lyrics to Modernism. The poem's structure was heavily influenced by Eliot's extensive reading of Dante Alighieri and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night, and Hamlet, the poetry of seventeenth-century metaphysical poet Andrew Marvell, and the nineteenth-century French Symbolists. Eliot narrates the experience of Prufrock using the stream of consciousness technique developed by his fellow Modernist writers. The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment". Prufrock laments his physical and intellectual inertia, the lost opportunities in his life and lack of spiritual progress, and he is haunted by reminders of unattained carnal love. With visceral feelings of weariness, regret, embarrassment, longing, emasculation, sexual frustration, a sense of decay, and an awareness of mortality, "Prufrock" has become one of the most recognised voices in modern literature. Among the most significant works by Eliot's: "Portrait of a Lady", "Preludes", "Whispers of Immortality", "Gerontion", "The Waste Land", "The Hollow Men", "Ash Wednesday", Ariel Poems", "Journey of the Magi", "A Song for Simeon", "Old Possum's Book of Practical Cats", "The Awefull Battle of the Pekes and the Pollicles", "Gus: The Theatre Cat", "Growltiger's Last Stand", "The Naming of Cats", "Burnt Norton", "East Coker", "The Dry Salvages", "Little Gidding", "Four Quartets".

Prufrock and Other Observations (1917) is a collection of poems by T.S. Eliot. Published following the successful appearance of "The Love Song of J. Alfred Prufrock" in the June 1915 issue of Poetry: A Magazine of Verse, Prufrock and Other Observations established Eliot's reputation as a leading English poet and pioneering literary Modernist. Opening with "The Love Song of J. Alfred Prufrock," the collection begins with an invocation of Dante, whom Eliot saw as an important innovator of a polyphonic, referential poetry capable of interrogating and dramatizing the construction and representation of the self. The poem is written from the perspective of a repressed, despairing middle-aged man who meditates on his relationships with women and the regrets he has accumulated with age. In "Preludes," a poem of urban malaise, Eliot "thinks of all the hands / That are raising dingy shades / In a thousand furnished rooms," and reaches for an understanding of the world as "some infinitely gentle / Infinitely suffering thing." Other poems include "Morning at the Window," another brief vision of city life, "The Boston Evening Transcript," a satirical reverie on time and community, and "Cousin Nancy," a humorous lyric celebrating Miss Nancy Ellicott, who unabashedly "smoked, / And danced all the modern dances. Both personal and universal, global in scope and intensely insular, Eliot's poetry changed the course of literary history, inspiring countless poets and establishing his reputation as one of the foremost artists of his generation. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot's Prufrock and Other Observations is a classic of English literature reimagined for modern readers.

Textbook introduction to key debates from the early twentieth century to modernisms emerging between First and Second World Wars. Examines in detail texts by Chekhov, Mansfield, Gibbon, Eliot, Woolf, Brecht and Okigbo.

This volume includes the title poem as well as "The Love Song of J. Alfred Prufrock," "Gerontion," "Ash Wednesday," "Sweeney Among the Nightingales," and other poems from Eliot's early and middle work. "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English" (Edmund Wilson).

This superb anthology by T. S. Eliot features The Love Song of J. Alfred Prufrock, as well as a selection of other works from the poet's early career. The titular poem is steeped heavily in the Renaissance era literature with which T. S. Eliot was highly appreciative. The monologue is strongly inspired by readings of Dante Alighieri and William Shakespeare, poets whom deeply impacted Eliot during his youth and which he read meticulously. A work whose emotions include longing and regret, we hear Prufrock lament the missed opportunities and morose reflections of mortality which occupy his melancholic mind. For its eclectic embrace of past works in a monologue bursting with emotive depth, Prufrock was lauded as a triumphant work of the Modernist era. T. S. Eliot gained ample fame as a young literary, and would go on to author several other landmark poems throughout his life. Several of the other poems in this edition were previously unpublished when this edition first appeared in 1917. Prufrock itself had famously been published in Poetry: A Magazine of Verse in 1915, on the emphatic recommendation of Eliot's fellow literary Ezra Pound. Illustrative of the early style which Eliot sought to perfect, this anthology is a wonderful introduction to the poet, and a valuable reference for those familiar with his life's work.

A Study Guide for T. S. Eliot's "The Love Song of J. Alfred Prufrock," excerpted from Gale's acclaimed Poetry for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

The Genius Of T.S. Eliot Contributed Immensely In Ushering Modernism In Poetry, Play And Literary Criticism. Therefore, Our Knowledge Of Modernism Will Remain Incomplete Should We Fail To Understand Eliot. This Book May Serve As An Introduction To Eliot, The Man, The Poet, The Playwright And The Critic. For The Benefit Of Readers, It Quotes In Full, While Introducing And Explaining, The Poet S Master-Pieces, The Waste Land And Four Quartets, And Also Some Of His Other Great Poems. Further, It Discusses About All Of His Five Major Plays, And Nine Important Essays, At Some Length.

This Book Is The Outcome Of The Author S Continued Study And Research In T.S. Eliot Literature, Demonstrating As It Does His Valid Critical Insight And Sound Judgement. There Are Scholars Who Might Initially Differ With Him In Regard To His Formulations About Eliot S Indebtedness To Indian Thought And Tradition, But They Will Have To Accept Them Ultimately In The Presence Of Well-Researched And Well-Documented Internal And External Evidences. Even Established Western Scholars Like Grover Smith Of The Duke University And Charles M. Holmes Of The Transylvania University, U.S.A., Besides A Host Of Indian Professors And Scholars, Have Acknowledged The Truth.The Book Comprising Eighteen Papers Present A Comprehensive View Of Eliot And Bring Out His Multi-Pronged Genius.Eliot Was An American By Birth And Education, An Anglo-Catholic By Religion, A Britisher By Way Of Naturalized Citizenship , A Deep-Rooted European By Sense Of Culture, A Universal Poet And An International Hero By Means Of His Creative Talent And Art.The Book Highlightes Eliot S Literary Personality And The Different Aspects Of His Creative Art. These Papers Undoubtedly Broaden The Scope Of Approach To Eliot. The Book Is Designed In Such A Way That It Will Attract Both Common And Specialist Readers.