As if she needed yet another reason to shop, Queen of the Vampires Betsy Taylor is in the middle of planning the perfect wedding to drop-dead gorgeous vamp Eric Sinclair. And she’s not about to let little things like death and blood-drinking get in her way. But all is not bouquets and bridal showers—Betsy is plagued by ghosts who demand her help in rectifying their past mistakes, and a serial killer is on the loose. With his victims all being tall, blond women, Betsy fits the profile exactly…

Suburban housewife and vampire queen Betsy Taylor makes an alarming discovery: her half-sister is truly the Devil's daughter, and she can't wait to raise hell.

Undead shopaholic Betsy Taylor has found that being vampire queen has more problems than perks. It may be easy to find blood in the dark of night, but try finding a strawberry smoothie. And employees at her nightclub Scratch have been giving her nothing but grief since she killed their former boss. Some people...But Betsy's "life" takes an interesting turn at a baby shower for her wicked stepmother, who lets it slip that Betsy has a long-lost half sister. Now twenty years old, this girl just so happens to be the devil's daughter and destined to rule the world.

The New York Times bestselling series. With her wedding fast approaching, cold feet don't come as a surprise to Betsy Taylor-especially with an undead groom. But when her fianc? and most of her loved ones go missing, it's up to Betsy to find them-and whoever is behind the disappearances.

First Betsy Taylor loses her job, then she's killed in a car accident. But what really bites is that she can't seem to stay dead. And now her new friends have the ridiculous idea that Betsy is the prophesied vampire queen, and they want her help in overthrowing the most obnoxious power-hungry vampire in five centuries.

Having recently lost her dad and stepmother, Betsy Sinclair (née Taylor) is adjusting to rather more than just married life. Their untimely deaths have left her and Eric as sole guardians of her little brother, Jon. Two vampire parents - albeit vampire royalty - for a decidedly human baby. Still, Betsy is more than up for the challenge. If only everyone would stop being so nervous around her, given her sudden recent burst of power. Betsy most emphatically Does Not Want To Discuss It, and for the moment, everyone is following her lead. But then the ghost of Betsy's stepmother turns up at their house. And as stubborn and insufferable as she was in life, she's even more annoying in death - especially as she regards her demise as all Betsy's fault!

Vampire queen Betsy Taylor makes a deal with the devil in order to discover the secrets of the Book of the Dead. Just one catch: she and her sister must go to hell to do it. Just long enough to make nice with her mother, aka Lucifer, and take a detour through time...

Betsy Taylor is determined to change the future for herself and her loved ones, but her actions could have life-shattering repercussions. That's to be expected when a friend returns from the dead, when your dear sister just happens to be the Antichrist, and when your mother is the devil. Discover Piatkus Entice: temptation at your fingertips - www.piatkusentice.co.uk

Betsy Taylor, Vampire Queen, already has plenty on her plate. For one thing, next week is her birthday-the big 3-1 in human years, and one in undead years. (Yes, she bit the dust on her birthday last year.) On top of that, she still has wedding plans to finalize-and it's not helping that the prospective groom is avoiding anything to do with it. And then there's her decision to stop drinking blood-something she has yet to share with Eric Sinclair, her fianc-who also happens to be the vampire king... So the last thing she wants to deal with is uninvited guests, even if they happen to be the powerful European vampires who have finally come to pay their respects the week before her birthday. Some of them don't want Betsy as their Queen, and will do anything to get rid of her. As if turning thirty last year (not to mention dying) hadn't been traumatic enough. And trying to give up blood is making her really cranky...

This collection of original essays presents pedagogical tools, methods, and approaches for incorporating the figure of the vampire into the learning environment of the college classroom, in the hopes of ushering the Undead out of the coffin and into the classroom. The essays foster interdisciplinary collaboration and dialogue, and serve as a collective resource for those currently teaching the vampire as well as newcomers to vampire studies. Opening with a foreword by Sam George, the collection is organized around such topics as historicizing the vampire, teaching the diverse vampire, and engaging the student learner. Interwoven throughout the volume are strategies for incorporating writing instruction and generating conversations about texts ("texts" defined broadly so as to include film and other media). The vampire allows instructors to explore timeless themes such as life and death, love and passion, immortality, and monstrosity and Otherness.

Through analysis of three case study videogames – Left 4 Dead 2, DayZ and Minecraft – and their online player communities, Digital Zombies, Undead Stories develops a framework for understanding how collective gameplay generates experiences of narrative, as well as the narrative dimensions of players' creative activity on social media platforms. Narrative emergence is addressed as a powerful form of player experience in multiplayer games, one which makes individual games' boundaries and meanings fluid and negotiable by players. The phenomenon is also shown to be recursive in nature, shaping individual and collective understandings of videogame texts over time. Digital Zombies, Undead Stories focuses on games featuring zombies as central antagonists. The recurrent figure of the videogame zombie, which mediates between chaos and rule-driven predictability, serves as both metaphor and mascot for narrative emergence. This book argues that in the zombie genre, emergent experiences are at the heart of narrative experiences for players, and more broadly demonstrates the potential for the phenomenon to be understood as a fundamental part of everyday play experiences across genres.

Whether preparing us for economic recovery after the zombie apocalypse, analyzing vampire investment strategies, or illuminating the market forces that affect vampire-human romances, Economics of the Undead: Zombies, Vampires, and the Dismal Science gives both seasoned economists and layman readers something to sink their teeth into. Undead characters have terrified popular audiences for centuries, but when analyzed closely, their behaviors and stories—however farfetched—mirror our own in surprising ways. The essays collected in this book are as humorous as they are thoughtful, as culturally relevant as they are economically sound, and provide an accessible link between a popular culture phenomenon and the key concepts necessary to building one’s understanding of economic systems big and small. It is the first book to apply and combine economics and our society’s fascination with the undead, and is an invaluable resource for those looking to learn economic fundamentals in a fun and innovative way. Contributions by: Kyle William Bishop, Eleanor Brown, Ian Chadd, Darwynn Deyo, Steven Horwitz, Daniel Farhat, Jean-Baptiste Fleury, Enrique Guerra-Pujol, Brian Hollar, Sebastien Lecou, Joseph Mandarino, Alain Marciano, Fabien Medvecky, David T. Mitchell, Michael O’Hara, M. Christine Phillips, A. Lynn Phillips, G. Michael Phillips, Lorna Piatti-Farnell, Robert Prga, Hollis Robbins, Sarah Skwire, Ilya Somin, David Tufte, Mary Jo Tufte, and Charlotte Weil

Undead in the West is a collection of essays that explore the many tropes and themes through which undead Westerns make the genre's inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. Featuring several illustrations and a filmography, the volume is divided into three sections: "Reanimating Classic Western Tropes" examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; "The Moral Order Under Siege" explores the ways in which the undead confront classic values and morality tales embodied in Western films; and "And Hell Followed with Him" looks at justice, retribution, and retaliation at the hands of undead angels and avengers.

Another round of ghoulish holiday stories, The Undead That Saved Christmas Vol. 2 is an anthology of both jolly and frightening proportions. From zombie toys to flesh-eating Santas, Vol. 2 is sure to be the most unique gift under the tree. The Undead That Saved Christmas Vol. 2 brings together various talented authors and artists from across the world. Stories include: How I Got My Sack Back, by Stephen Johnston; Death and the Magi, by Joe McKinney; Zombies We Have Heard on High, by Jamie Freeman; You Better Watch Out, by Scott Morris, and others. Get into the Christmas spirit with carols and poems such as 'Twas a Season of Zombies by Rebecca Besser and The Last Noel by Craig W. Chenery. Whether you buy it for yourself, a friend, or family member, know you're doing it for a good cause. Proceeds from the sales of The Undead That Saved Christmas Vol. 2 benefit the Hugs Foster Family Agency (hugsffa.org) and will help them give their foster children gifts this holiday season.

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.